Publications

@incollection{nowakowski_2021,
address = {New York, NY, USA},
title = {State and {Practice} of {Music} {Education} {Software} {Design}},
copyright = {All rights reserved},
booktitle = {Music, {Technology}, {Innovation}: {Industry} and {Educational} {Perspectives}},
publisher = {Routledge},
author = {Nowakowski, Matthias and Hadjakos, Aristotelis},
year = {in press}
}

@INPROCEEDINGS{Berndt:2023:MM,
author = {Nowakowski, M. and Berndt, A. and Plaksin, A. and Sahin, N. and Hadjakos, A.},
title = {{Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing}},
booktitle = {{Encoding Cultures---Joint MEC and TEI Conference 2023}},
year = {2023},
organization = {Paderborn University, Text Encoding Initiative, Music Encoding Initiative},
address = {Paderborn, Germany},
month = {Sept.}
}

@INPROCEEDINGS{Berndt:2023:IE,
author = {M\"unzmay, A. and Berndt, A.},
title = {{Was ist eine Interpretationsedition?}},
booktitle = {{Methoden Softwaregest\"utzter Interpretationsforschung}},
month = {June},
year = {2023},
organization = {Netzwerk Softwaregest\"utzter Interpretationsforschung},
note = {plenum discussion}
}

@INPROCEEDINGS{Berndt:2023:MPM,
author = {Berndt, A.},
title = {{Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM)}},
booktitle = {{Methoden Softwaregest\"utzter Interpretationsforschung}},
month = {June},
year = {2023},
organization = {Netzwerk Softwaregest\"utzter Interpretationsforschung},
note = {workshop}
}

@INPROCEEDINGS{nowakowski:survey:2023:postprint,
author = {Nowakowski, M. and Hadjakos, A.},
title = {{Online Survey on Usability and User Experience of Music Notation Editors}},
year = {2023},
Booktitle = {Proceedings of the First International Conference on Technologies for Music Notation and Representation (TENOR'23)},
}

@INPROCEEDINGS{Berndt:2023:Notation,
author = {Nowakowski, M. and Berndt, A. and Hadjakos, A.},
title = {{Forschungsperspektiven zur Interaktion mit Musiknotation}},
booktitle = {{Digital Humanities im deutschsprachigen Raum (DHd): Open Humanities, Open Culture}},
year = {2023},
organization = {University of Trier},
address = {Trier, Germany}
}

@INPROCEEDINGS{Berndt:2022:MPMESS,
author = {Berndt, A.},
title = {{Music Performance Markup (MPM): Einf\"uhrung in die Beschreibung musikalischer Interpretationen}},
booktitle = {{Edirom Summer School 2022}},
year = {2022},
organization = {Universit\"at Paderborn},
address = {Paderborn, Germany},
month = {Sept.},
note = {half-day workshop}
}

@INPROCEEDINGS{Berndt:2022:SM,
author = {Plaksin, A. and Lewis, D. and Sahin, N. and Berndt, A.},
title = {{Sharing MEI: Common Semantics in Diverse Musics?}},
booktitle = {{Music Encoding Conference}},
year = {2022},
organization = {Dalhousie University, Music Encoding Initiative},
address = {Halifax, Canada},
month = {May},
note = {panel discussion}
}

@INPROCEEDINGS{Berndt:2022:EMP,
author = {Berndt, A.},
title = {{Encoding Musical Performances}},
booktitle = {{Music Encoding Conference}},
year = {2022},
organization = {Dalhousie University, Music Encoding Initiative},
address = {Halifax, Canada},
month = {May},
note = {half-day workshop}
}

@article{nowakowski_toward_2022,
title = {{Toward} {Interactive} {Music} {Notation} for {Learning} {Management} {Systems}},
volume = {5},
issn = {2377-9519, 2377-9527},
url = {http://onlineinnovationsjournal.com/streams/visual-and-performing-arts/1797e09824daced5.html},
doi = {10.1615/IntJInnovOnlineEdu.2021039605},
abstract = {International Journal on Innovations in Online Education},
language = {English},
number = {3},
urldate = {2022-01-14},
journal = {International Journal on Innovations in Online Education},
author = {Nowakowski, Matthias and Hadjakos, Aristotelis and Stärk, André},
year = {2022},
note = {Publisher: Begel House Inc.}
}

@INPROCEEDINGS{Berndt:2021:MPM2,
author = {Berndt, A},
title = {{The Music Performance Markup Format and Ecosystem}},
booktitle = {{Proc. of the 22nd Int. Society for Music Information Retrieval Conf. (ISMIR)}},
year = {2021},
organization = {Int. Society for Music Information Retrieval},
month = {Nov.}
}

@INPROCEEDINGS{Berndt:2021:MPM1,
author = {Berndt, A},
title = {{Music Performance Markup: Format and Software Tools Report}},
booktitle = {{Music Encoding Conference}},
pages = {57--63},
year = {2021},
organization = {University of Alicante, Music Encoding Initiative},
address = {Alicante, Spain},
month = {July}
}

@INPROCEEDINGS{Berndt:2020:MPM,
author = {Berndt, A.},
title = {{Music Performance Markup (MPM): Einf\"uhrung in die Beschreibung musikalischer Interpretationen}},
booktitle = {{Edirom Summer School 2020}},
year = {2020},
organization = {Universit\"at Paderborn},
address = {Paderborn, Germany},
month = {Sept.},
note = {half-day workshop}
}

@INPROCEEDINGS{Berndt:2020:IB,
author = {Berndt, A. and Waloschek, S. and Hadjakos, A. and Veit, J.},
title = {{Inside Beethoven! A Musical Installation for a New Listening Perspective}},
booktitle = {{Audio Mostly 2020: 15th Conf. on Interaction with Sound -- Extended Realities}},
year = {2020},
editor = {Gro\ss-Vogt, K.},
pages = {245--248},
organization = {University of Music and Performing Arts Graz},
publisher = {ACM},
address = {Graz, Austria},
month = {Sept.}
}

@BOOK{Berndt:2019:IB,
title = {{Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule f\"ur Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD)}},
year = {2019},
editor = {Berndt, A. and Veit, J.},
publisher = {Beethoven-Haus Bonn},
month = {Dec.},
address = {Bonn, Germany},
note={ISBN: 978-3-88188-175-3}
}

@InProceedings{Waloschek:2019:DeepMeasures,
author = {Waloschek, S. and Hadjakos, A. and Pacha, A.},
title = {{Identification and Cross-Document Alignment of Measures in Music Score Images}},
booktitle = {{Proc. of the 20th Int. Society for Music Information Retrieval Conf. (ISMIR)}},
year = {2019},
address = {Delft, The Netherlands},
month = {nov},
publisher = {Int. Society for Music Information Retrieval}
}

@thesis{Leemhuis:2019:BThesis,
type ={Bachelor's Thesis},
author = {Leemhuis, A.},
title = {{Musicologically Informed Artificial Bach Chorale Harmonization}},
school = {Detmold University of Music, Center of Music and Film Informatics},
year = {2019},
address = {Detmold, Germany},
month = {oct},
}

@InProceedings{Leemhuis:2019:BachNet,
address = {Würzburg, Germany},
title = {{Bacher than Bach? On Musicologically Informed AI-based Bach Chorale Harmonization}},
booktitle = {{Proc. of the 12th Int. Workshop on Machine Learning and Music}},
author = {Leemhuis, Alexander and Waloschek, Simon and Hadjakos, Aristoteles},
month = {sep},
year = {2019}
}

@InProceedings{Hadjakos:2019:DetectingHands,
author = {Hadjakos, A. and Waloschek, S. and Leemhuis, A.},
title = {{Detecting Hands from Piano MIDI Data}},
booktitle = {{Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}},
year = {2019},
address = {Hamburg, Germany},
month = {sep},
organization = {University of Hamburg, Gesellschaft für Informatik},
}

@INCOLLECTION{Berndt:2019:Ambient,
author = {Berndt, A.},
title = {{Adaptive Game Scoring with Ambient Music}},
booktitle = {{Music Beyond Airports: Apraising Ambient Music}},
publisher = {University of Huddersfield Press},
year = {2019},
editor = {Adkins, M. and Cummings, S.},
chapter = {9},
pages = {197--226},
address = {Huddersfield, UK},
month = {July},
note = {published under OpenAccess at https://unipress.hud.ac.uk/plugins/books/19/}
}

@INPROCEEDINGS{Berndt:2019:MEItools,
author = {Waloschek, S. and Berndt, A. and Hadjakos, A. and Pacha, A.},
title = {A Showcase of New MEI Tools},
booktitle = {Music Encoding Conference},
year = {2019},
organization = {University of Vienna, Music Encoding Initiative},
address = {Vienna, Austria},
month = {May},
note = {half-day workshop}
}

@InProceedings{Waloschek:2018:DTW-Drift-Transpositions,
author = {Waloschek, S. and Hadjakos, A.},
title = {{Driftin' Down the Scale: Dynamic Time Warping in the Presence of Pitch Drift and Transpositions}},
booktitle = {{Proc. of the 19th Int. Society for Music Information Retrieval Conf. (ISMIR)}},
year = {2018},
address = {Paris, France},
month = {sep},
publisher = {Int. Society for Music Information Retrieval}
}

@INPROCEEDINGS{Berndt:2018:meico,
author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
title = {{Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications}},
booktitle = {{Audio Mostly 2018: 13th Conf. on Interaction with Sound---Sound in Immersion and Emotion}},
year = {2018},
organization = {Glynd$\hat{w}$r University},
publisher = {ACM},
address = {Wrexham, North Wales, UK},
month = {Sept.}
}

@InProceedings{Waloschek:2018:Interface-Performance,
author = {Waloschek, S. and Hadjakos, A. and Berndt, A.},
title = {Score and sound-based interface for exploring music performances},
month = {jul},
year = {2018},
address = {Montreal, Canada},
booktitle = {Interdisciplinary Workshop on Timbre 2018},
organization = {McGill University},
}

@INCOLLECTION{Berndt:2018:MPM,
author = {Berndt, A. and Bohl, B. W.},
title = {Music Performance Markup: Formale Beschreibung musikalischer Interpretationen},
booktitle = {editio: International Yearbook of Scholarly Editing},
year = {2018},
volume = {32},
pages = {185--204},
editor = {Nutt-Kofoth, R. and Plachta, B.},
publisher = {De Gruyter},
address = {Berlin, Germany}
}

@InProceedings{Waloschek:2017:IPMP2,
author = {Waloschek, S.},
title = {{Audioschnitt in digitalen Noten}},
booktitle = {{INFORMATIK 2017, 47. Jahrestagung der Gesellschaft für Informatik}},
year = {2017},
editor = {Eibl, M. and Gaedke, M.},
series = {{LNI}},
address = {Chemnitz, Germany},
month = {sep},
organization = {Chemnitz University of Technology, Gesellschaft für Informatik},
publisher = {{GI}},
}

@InProceedings{Berndt:2017:Cyclone,
author = {Peschke, J. and Berndt, A.},
title = {{The Geometric Oscillator: Sound Synthesis with Cyclic Shapes}},
booktitle = {{Audio Mostly 2017: 12th Conf. on Interaction with Sound - Augmented and Participatory Sound/Music Experiences}},
organization = {Queen Mary University of London},
publisher = {ACM},
year = {2017},
address = {London, UK},
month = {Aug.}
}

@InProceedings{Mexin:2017:Vertaktoid,
author = {Mexin, Y. and Hadjakos, A. and Berndt, A. and Waloschek, S. and Wawilow, A. and Szwillus, G.},
title = {{Tools for Annotating Musical Measures in Digital Music Editions}},
booktitle = {{14th Sound and Music Computing Conf. (SMC-17)}},
year = {2017},
organization = {Aalto University},
address = {Espoo, Finland},
month = {July}
}

@InProceedings{Berndt:2017:AmbiDice,
author = {Berndt, A. and Waloschek, S. and Hadjakos, A. and Leemhuis, A.},
title = {{AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games}},
booktitle = {{Proc. of New Interfaces for Musical Expression (NIME) 2017}},
year = {2017},
publisher = {Aalborg University Copenhagen},
address = {Copenhagen, Denmark},
month = {may}
}

@thesis{Waloschek:2017:IPMP,
type = {Master's Thesis},
author = {Waloschek, S.},
title = {{Interaktive Partituren in der Musikproduktion}},
school = {Ostwestfalen-Lippe University of Applied Sciences, Center of Music and Film Informatics},
year = {2017},
address = {Detmold, Germany},
month = {feb},
}

@Article{Berndt:2017:TouchNoiseCMJ,
author = {Berndt, A. and Al-Kassab, N. and Dachselt, R.},
title = {{The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra}},
journal = {{Computer Music Journal}},
publisher = {MIT Press},
year = {2017},
volume = {41},
number = {4},
month = {Winter},
pages = {32--44}
}

@INCOLLECTION{Berndt:2017:GM,
author = {Berndt, A.},
title = {{Generative Musik als Werkzeug in der Musikwissenschaft}},
booktitle = {{Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht \"uber die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. M\"arz 2012, anl\"asslich der 21. Magdeburger Telemann-Festtage}},
publisher = {Olms Verlag},
year = {2017},
pages = {305--326},
organization = {Zentrum f\"ur Telemann-Pflege und -Forschung Magdeburg},
editor = {Lange, C. and Reipsch, B.},
address = {Hildesheim, Germany}
}

@InProceedings{Waloschek:2016:Accelerating-Editing-Using-Scores,
author = {Waloschek, S. and Berndt, A. and Bohl, B. W. and Hadjakos, A.},
title = {{Accelerating the editing phase in music productions using interactive scores}},
booktitle = {{Proc. of the 2nd AES Workshop on Intelligent Music Production (WIMP)}},
year = {2016},
address = {London, UK},
month = {sep}
}

@InProceedings{Berndt:2016:Hand-Gestures,
author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
title = {{Hand Gestures in Music Production}},
booktitle = {{Proc. of the 42nd Int. Computer Music Conf. (ICMC)}},
year = {2016},
editor = {Timmermans, H.},
pages = {448--453},
address = {Utrecht, The Netherlands},
month = {sep},
publisher = {International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek}
}

@InProceedings{Waloschek:2016:Interactive-Scores,
author = {Waloschek, S. and Berndt, A. and Bohl, B. W. and Hadjakos, A.},
title = {{Interactive Scores in Classical Music Production}},
booktitle = {{Proc. of the 17th Int. Society for Music Information Retrieval Conf. (ISMIR)}},
year = {2016},
editor = {Mandel, M.},
pages = {668--673},
address = {New York, NY, USA},
month = {aug},
organization = {New York University},
publisher = {Int. Society for Music Information Retrieval}
}

@InProceedings{Berndt:2016:Xml-Music-Performance-MEC,
author = {Berndt, A. and Bohl, B. W.},
title = {{XML Music Performance Description}},
booktitle = {{Music Encoding Conference 2016}},
year = {2016},
pages = {91--94},
editor = {Di Bacco, G. and Kepper, J. and Roland, P.~D.},
organization = {McGill University, Schulich School of Music},
publisher = {Music Encoding Initiative},
address = {Montr\'eal, Canada},
month = {May}
}

@InProceedings{Bohl:2016:Formate-Handlungsempfehlungen,
author = {Bohl, B. W. and Berndt, A. and Senft, B.},
title = {{Formate als Sackgassen: Handlungsempfehlungen}},
booktitle = {{DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities als fachübergreifendes Forschungsparadigma}},
year = {2016},
address = {Leipzig, Germany},
month = {mar},
organization = {Leipzig University},
publisher = {nisaba verlag}
}

@InProceedings{Kob:2016:Online-Tool-Orchestra-Analysis,
author = {Kob, M. and Amengual, S. V. and Sahin, B. and Hadjakos, A. and Saulich, M.},
title = {{Online-Tool for interactive sound analysis of orchestra instruments}},
booktitle = {Fortschritte der Akusik – DAGA 2016},
year = {2016},
pages = {540--543},
address = {Aachen, Germany},
month = {mar}
}

@InProceedings{Kob:2016:Temporal-Features-From-Organ,
author = {Kob, M. and Amengual, S. V. and Sahin, B. and Hadjakos, A. and Saulich, M.},
title = {{Extraction and evaluation of temporal musical features from MIDI recordings of organ music}},
booktitle = {Fortschritte der Akusik – DAGA 2016},
year = {2016},
pages = {1478--1481},
address = {Aachen, Germany},
month = {mar}
}

@InCollection{Bohl:2016:Festschrift-Veit,
author = {Bohl, B. W. and Berndt, A. and Waloschek, S. and Hadjakos, A.},
title = {{Dem Igel Sitte lehren... Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung}},
booktitle = {„Ei, dem alten Herrn zoll' ich Achtung gern'“ – Festschrift für Joachim Veit zum 60. Geburtstag},
publisher = {Allitera Verlag},
year = {2016},
editor = {Richts, K. and Stadler, P.},
chapter = {12},
pages = {141--163},
address = {Munich, Germany},
month = {jan}
}

@InCollection{Berndt:2015:VOC,
author = {Berndt, A. and Schönfeld, F. and Groh, R. and Hähnel, T. and Marx, T. and Pfleiderer, M.},
title = {{Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen}},
booktitle = {{Musikpsychologie – Anwendungsorientierte Forschung}},
publisher = {Hogrefe Verlag},
year = {2015},
editor = {Auhagen, W. and Bullerjahn, C. and von Georgi, R.},
number = {25},
series = {{Jahrbuch der Deutschen Gesellschaft für Musikpsychologie}},
pages = {254--262},
address = {Göttingen, Germany},
month = {dec}
}

@InProceedings{Berndt:2015:TouchNoise,
author = {Berndt, A. and Al-Kassab, N. and Dachselt, R.},
title = {{TouchNoise: A New Multitouch Interface for Creative Work with Noise}},
booktitle = {{Audio Mostly 2015: 10th Conf. on Interaction with Sound – Sound, Semantics and Social Interaction}},
year = {2015},
address = {Thessaloniki, Greece},
month = {oct},
organization = {Aristotle University of Thessaloniki},
publisher = {ACM}
}

@InProceedings{Berndt:2015:Handgesten,
author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
title = {{Gedanken zur Nutzung von Handgesten in der Musikproduktion}},
booktitle = {{Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}},
year = {2015},
editor = {Schmidt, A. and Burmester, M. and Weisbecker, A.},
pages = {325--330},
address = {Stuttgart, Germany},
month = {sep},
organization = {University of Stuttgart, Gesellschaft für Informatik},
publisher = {Oldenbourg Wissenschaftsverlag}
}

@Book{Berndt:2015:Works-Audio-Music,
title = {{Works in Audio and Music Technology}},
publisher = {TUDpress},
year = {2015},
editor = {Berndt, A.},
address = {Dresden, Germany},
month = {sep},
url = {http://www.tudpress.de/TUDpressXTC2013/product_info.php?products_id=932}
}

@InProceedings{Hadjakos:2015:Sync-Ensembles,
author = {Hadjakos, A. and Berndt, A. and Waloschek, S.},
title = {{Synchronizing Spatially Distributed Musical Ensembles}},
booktitle = {{12th Sound and Music Computing Conf. (SMC)}},
year = {2015},
address = {Maynooth, Ireland},
month = {jul},
organization = {Maynooth University}
}

@InProceedings{Waloschek:2015:Sensors-On-Stage,
author = {Waloschek, S. and Hadjakos, A.},
title = {{Sensors on Stage: Conquering the Requirements of Artistic Experiments and Live Performances}},
booktitle = {Proc. of the Int. Conf. on New Interfaces for Musical Expression (NIME)},
year = {2015},
pages = {351--354},
address = {Baton Rouge, LA, USA},
month = {may}
}

@InProceedings{Hadjakos:2015:Learning-Visual-Programming,
author = {Hadjakos, Aristotelis and Schulze, Heizo and Düchting, André and Metzger, Christian and Ottensmann, Marc and Riechmann, Friederike and Schneider, Anna-Maria and Trappmann, Michael},
title = {{Learning Visual Programming by Creating a Walkable Interactive Installation}},
booktitle = {{Audio Mostly 2015: 10th Conf. on Interaction with Sound – Sound, Semantics and Social Interaction}},
year = {2015},
pages = {19:1--19:8},
address = {Thessaloniki, Greece},
publisher = {ACM}
}

@InProceedings{Hadjakos:2014:SPINE,
author = {Hadjakos, A. and Waloschek, S.},
title = {{SPINE: A TUI Toolkit and Physical Computing Hybrid}},
booktitle = {Proc. of the Int. Conf. on New Interfaces for Musical Expression (NIME)},
year = {2014},
pages = {625--628},
address = {London, UK},
month = {jun}
}

@InProceedings{Hadjakos:2014:Vibrato-Piano,
author = {Hadjakos, A. and Waloschek, S.},
title = {{ViP: Controlling the Sound of a Piano with Wrist-Worn Inertial Sensors}},
booktitle = {Keyboard Salon Workshop at the Int. Conf. on New Interfaces for Musical Expression (NIME)},
year = {2014},
address = {London, UK},
month = {jun}
}